The Newark Holy Stones: the evidence for forgery and the uncertain perpetrators

The Newark Holy Stones are inscribed objects reported from ancient earthworks in Licking County, Ohio, during the 1860s. Their Hebrew lettering encouraged claims of a Biblical connection to the mound builders. Archaeological and epigraphic research instead identifies a modern forgery. The surviving uncertainty concerns who produced and planted particular objects, not a demonstrated ancient Hebrew origin for Ohio’s earthworks.

The carved figure and surrounding Hebrew letters on the Newark Decalogue Stone; warm-toned photograph of an object described as black limestone.
Newark Decalogue Stone, photograph by J. Huston McCulloch, date unknown. Attribution-only reuse permission, corroborated by the photographer’s linked copying permission. Original GIF converted to PNG; no cropping or retouching. The published photograph has a warm exposure; the source describes the stone itself as black limestone. Reuse does not imply the photographer endorses this assessment.

The first stone and an enthusiastic reception

An Ohio State Archaeological and Historical Society review published in 1908 reprinted earlier descriptions and sceptical assessments. These historical texts preserve what observers said, including disagreements that a short modern retelling can obscure. They also contain dated language and accusations that require attribution rather than adoption.

The review reproduces David Wyrick’s account of finding the Keystone on 29 June 1860. He described an inscribed, four-sided object recovered while excavating a depression among Newark’s earthworks. Its translated phrases invoked divine law and holiness. The shape and inscriptions gave supporters something tangible to discuss, but the existence of a carved object did not itself establish when it entered the ground.

Benson Lossing’s account of a September 1860 visit, reprinted in the review, describes Wyrick as an earnest antiquarian of good local reputation. Lossing saw the polished stone and related its alleged discovery and translation. His favourable impression of Wyrick is evidence about that encounter and reputation. It does not authenticate an inscription’s age or demonstrate that its finder made it.

A second discovery

The same historical review describes a second object enclosed in a fitted stone box: the Decalogue Stone, bearing a robed figure and a version of the Ten Commandments. The original discovery was on 1 November 1860, as established in the modern museum study; some passages reproduced in 1908 instead give 1861. The later date is not repeated here as a separate find.

The reported context was the already disturbed Reservoir Stone Mound south of Newark. Material had been removed from this enormous structure before Wyrick’s work. A description of an ancient mound and a report of finding an object beneath part of it are different propositions from a secure, undisturbed archaeological association. The account of discovery needs evaluation alongside the object, not as a substitute for it.

Charles Whittlesey’s retrospective account, also printed in the 1908 review, records visiting the Keystone excavation with Wyrick and Israel Dille. He described fresh disturbed soil and a stone that did not appear extremely ancient. He considered a relatively recent Masonic association possible. Later he classified the stones as archaeological frauds and accused Wyrick. The sequence shows that the criticism developed over time; it was not simply a single verdict delivered at the moment of discovery.

What modern examination of the lettering adds

In their 2021 study, Jeff Gill, Bradley T. Lepper and Meghan Marley analyse the inscriptions rather than relying on a finder’s reputation. They identify modern printed letterforms on the Keystone and systematic copying errors in the Decalogue alphabet. Some errors make sense as confusions between modern Hebrew forms, but not as confusions within the supposedly ancient-looking alphabet. They report that Hebrew scholar Frank Moore Cross confirmed the analysis in 1991.

Their chronology also distinguishes later objects: an Inscribed Head and Cooper Stone in 1865, followed by the Johnson Stone in 1867. The first two carry versions of John Nicol’s name and are associated with deliberate pranks. The paper treats these as a related nineteenth-century sequence, while keeping their separate discovery histories clear. Its conclusion is modern fabrication, not an ancient inscription whose religious language proves a migration.

The published argument for authenticity

J. Huston McCulloch’s opposing account argues that errors in Wyrick’s drawings make him an unlikely carver of the originals. It also challenges circumstantial accusations against the translator, John McCarty, and notes that the Keystone might be a genuine but modern object. McCulloch accepts Nicol’s involvement in the two later prank stones without treating those admissions as a demonstration that every earlier object was fraudulent.

Those are distinct propositions. Evidence that Wyrick copied an inscription poorly may bear on whether he carved it; it does not establish that someone else could not have made and planted it. Equally, proving one later prank does not automatically prove the manufacturing history of the earlier stones. The modern case against antiquity rests on the lettering and context as well as the existence of associated hoaxes.

Forgery and perpetrator are different questions

The museum’s 2022 study by Jennifer Bush, Reba Kocher and Lepper explicitly distinguishes establishing an imposture from identifying the impostor. It discusses Wyrick’s 1863 letter expressing suspicion that somebody was hoaxing him. Possible involvement by McCarty or Nicol remains an attribution requiring evidence; neither suspicion nor opportunity should be rewritten as a confession.

That museum study places the forgeries within nineteenth-century arguments about common human ancestry and slavery. This is the researchers’ historical interpretation of motive. It is not a recovered instruction from an identified maker. Separating that interpretation from the analysis of the objects prevents an uncertain motive from weakening or falsely strengthening the evidence for their modern manufacture.

Why the museum still displays them

Bush and colleagues describe the Johnson-Humrickhouse Museum’s change in 2020 from a supposedly neutral presentation towards explaining the evidence for forgery. Displaying an object preserves its history; it does not certify every claim once made for it. The same artefact can be an unsuccessful witness to ancient migration and an important witness to nineteenth-century belief, collecting and deception.

The larger archaeological landscape must also retain its own history. These disputed inscriptions do not establish that outsiders designed or built the Indigenous earthworks. Nor should the stones’ rejection erase the genuine knowledge, engineering and cultural achievements represented by those monuments.

Map and outcome

The pin is a broad Newark locality reference from OpenStreetMap, rounded to 40.058, −82.401. It represents the local historical case, not a particular excavation, burial location or the museum in Coshocton. No access permission to historical findspots is asserted. The indexed years are the reported nineteenth-century discoveries, not the later studies or exhibitions.

Outcome: Closed (Explained). Published epigraphic analysis identifies modern copying and fabrication, and the museum’s research accepts the objects as forgeries. McCulloch’s contrary arguments are recorded above. The classification concerns their asserted ancient origin; it does not identify a single proven maker of every stone, resolve every motive or treat later prank admissions as proof of all earlier events.

Source review: 13 November 2026. The original 2021 study, relevant museum-study sections, McCulloch’s opposing account, the 1908 review’s historical descriptions and assessments, image permission and locality data were examined. No new physical examination or independent decipherment of the stones is claimed.